Wednesday, September 21, 2011

In the Business of Boutique Hotels, Glennon Travis is the Architect of Your Experience

It’s 10am on a Sunday morning and I’m awakened by the sound of furniture being lifted off a poolside deck and mattresses being hoisted off bed frames in adjacent rooms.  One look at the reflection of the mural over my head, from a wall-size mirror at the foot of my bed, reminds me I’m at the Capri Hotel, in Southampton.  It’s two weeks after Labor Day and the bastion of boutique hotels in the Hamptons is being dismantled right before my eyes.  Half a month ago, the room I slept in commanded a nightly rate of over $500 and was accompanied with a verbal notification that I had better be ok with a DJ spinning music outside my window until 2am—if I wasn’t, there was a line of people behind me who were. 

281 Montauk Highway has a special place in my heart.  It was during college when I worked at the nightclub here and saw Michael J. Fox play “Johnny Be Good” live.  It was where Fat Joe showed up for an impromptu concert, on a Friday night.  It wasn’t where I ever expected to see Nobu Restaurant act as a social anchor for a renovated and revitalized Capri Hotel and for it to work perfectly.  Years ago, it was more than enough for owners to throw money at a situation and hope everything would work itself out.  Now, with the clout carried by boutique hotels—brand, style and uniqueness—and the fragility of business in the Hamptons, a team of experts was assembled to ensure a perfect experience for guests, owners, restauranteurs and hoteliers. 

In the business of boutique hotels, Glennon Travis, the Manager of the Capri Hotel, is the architect of your experience.  After having thoroughly cased the establishment, Glennon and I sit down for coffee, on Main Street. 

[spyehampton] What defines an excellent hotel experience?
[Glennon Travis] When I stay in a hotel, I love an experience that feels effortless and has an element of surprise.  A good hotel stay goes beyond a good night's sleep and enjoyable stay, but there has to be something unexpected —  a fun design element and a positive and unique style of service makes you feel as if you really traveled somewhere different.  For the Capri, it was a fun challenge to take this very ordinary roadside motel and turn it into a unique, luxury experience. 
[sh] How did you know the hotel business was right for you?
[gt] I fell into it kind of by accident, but it just felt natural once I began working at it.  I started out working in hotels in New Orleans, during college.  I was studying marketing at Tulane and always thought I would go into advertising.  To help pay the bills in college, I had worked as a concierge at International House and Loft 523—NYC style luxury hotels outside the French Quarter, in New Orleans; I loved meeting international guests, and that the whole world came to me.  I loved helping them create their exeperiences of New Orleans -  find places that were not on Bourbon Street, and I helped them experience the city by going to places they normally would not go. I also enjoyed the company of the people who worked in the hotel, who were just a congenial goup of colleagues.
After graduation, I interviewed with a large Los Angeles advertising agency, I got the vibe that the people in the business were cut-throat and I kept thinking back to how friendly everyone was in the hotel industry. The guests were friendly too because they were on vacation.  The daily work was just pleasurable. 


[sh] What is the most fulfilling point in the weekend for you?  In the entire summer?
[gt] This summer was like riding a series of crests of gigantic waves.  Each weekend was another wave. Getting all the guests to check-in on Friday was the most hectic period.  We’re all sold out, we have to fit everyone into rooms and make everyone happy doing it, all while attending to individual requests.  The most fulfilling thing is when all the arrivals are in, we're at 100% occupancy, the rates are high:  you can look outside and see the scene that you helped create.  Also, when a guest comes up to you and says thank you so much, we’re having such a good time here.
[sh] What do you/The Capri bring to the Hamptons that is unique?
[gt] We are part of this new wave of Hamptons hotels that started  in Montauk with Surf Lodge and Ruschmeyers.  We’re trying to bring a fun-luxury experience to the hotel scene in the Hamptons. The Hamptons hotel scene is kind of bizarre. Most people stay in homes out here, and there’s always been huge disconnect between the quality of the houses and the quality of hotels. The houses are generally spectacular, but there were relatively few hotels to choose from, and even fewer that provide good value for the high rates. The Hamptons have a lot of traditional Inns and Bed & Breakfasts, where you feel like you’re staying in an old lady's home - you go to the beach and come back to your room with a paisley comforter on the bed, and you feel the floorboards creaking, and you notice the innkeeper has folded your underwear.  Some people find that a little creepy.
There’s a demand out east for an experience that isn't a Bed & Breakfast, or renting a room in a sharehouse. We found that people are looking to experience the Hamptons in a cool way and they want to be around some action.  The Capri is a hotel where there is something going on.  The bar scene at The Bathing Club, Nobu, and these beautiful people hanging out who don't have to be hotel guests—you can be a part of the Hamptons experience just for the weekend.  It’s the first hotel in the Hamptons that has attention-to-detail in the rooms, lively music, décor and a professional, but not a stuffy level of service. 


[sh] How do you tackle providing VIP service to guests, in a geographic where everyone is a VIP?
[gt] It’s delicate.  The demands of the hotel guests in the Hamptons are a lot higher than a hotel in the city.  Mostly because the rates and expectations are very high.  This is their big weekend to be out in the Hamptons.  These are people who work very hard, have stressful lives in the city and they’ve been planning for this weekend for some time. Most guests arrive after a long, difficult work week and a stressful Jitney ride.  As a hotel manager, you have to anticipate things going wrong that are beyond the hotel’s control.  Making guests happy when it’s pouring rain all weekend and they want to lay out by the pool.  You have to be creative and enthusiastic, keep a positive attitude.  That will hopefully translate to your team and in turn translate to the guests.  On a rainy weekend, it’s making sure we have in-room spa services available—massage, manicure, pedicure, and Yoga services in the morning.  Even if guests don’t partake in it, knowing that it’s available by simply asking the front desk really brings value to their stay.  It’s also being a portal to the Hamptons.  As their hosts for the weekend, it is the hotel's duty to help guests discover what’s hidden behind the privets out here.  Showing them how to get to an out-of-the-way beach, how to get on the guestlist at one of the nightclubs, or where the best vineyards are. 

[sh] What worked best with the Capri this summer? 
[gt] Finding the right crowd to stay at the hotel.  It took us a few weeks to figure it out.  It’s amazing how much the makeup of the guests affects the vibe of the hotel for the weekend. We only have 30 rooms; and the hotel is designed to be a social place, not one where guests hide in their rooms. We want our guests to hangout at the bar or the pool and to meet each other.  We had to manage our guests almost like a nightclub would—we’re not discouraging anyone from coming here, but we’re sold out every weekend so we have the ability to pick and choose our guests to a certain degree.  We had to attract guests who would bring something positive to the scene and enjoy the fact that hotel has a lively atmosphere.  We had a really great crowd of people in their late-twenties – to - early-thirties, people who have money, looking to party and looking to meet and interact with other guests.   When the weather cooperated, Saturdays by the pool really worked—during the day when we had a hot sunny day, it became a lively and exclusive party. 
Also, partnering with Nobu worked well this season; They created the most popular restaurant in the Hamptons this summer here at The Capri. The Nobu organization is incredibly professional and they brought a lot to the table. Opening any new restaurant has it's challenges, but certain members of the restaurant team were very positive and brought a can-do attitude to make this a success. They pulled superstars from throughout their organization to come to the Hamptons for a few months, and together we created something that was greater than the sum of our parts.

[sh] What did you learn from working at The Capri this summer?
[gt] *laughs* I learned to take the back roads; 27 was always a mess.
…Generally, I learned that the Hamptons in the summer can be a lot of fun, but there is a lot of hard work that goes into to making it fun. 
[sh] Describe walking the line between “boutique aesthetics” and practical comfort.
[gt] It’s a fine line.  It goes back to what a good hotel stay is.  You want a certain element of surprise, but the rooms must be very functional.  Meyer Davis did a spectacular job of using the space smartly.  With the mural, it was beachy and fun.  White lacquer floors.  In terms of service, you run the danger of becoming too cool.  I worked very hard this summer to make the staff grounded and down-to-earth—we’re not too cool for school, the team was a group of fun and laid back kids working out here.  The design of the hotel and the service had no pretention whatsoever. 
I came up the ranks working in boutique hotels, not in a corporate environment.  I think corporate, “militaristic” hotels have a very “yes sir/no-sir attitude” – the industry is moving further and further away from the traditional Marriot and Ritz Carlton style of service.  Guests increasingly are put off by “yes sir” from the hotel all the time; they want the experience to be natural.  I worked at making the service professional, yet relaxed and fun.  We really nailed the service this summer. 

[sh] What was the greatest challenge that you faced this summer and overcame?
[gt] The biggest challenge was that this project came together so quickly and last minute - just weeks before the season started. We had to put everything together on the fly.  Overwhelmingly it was a huge success, but not without difficulties.  By far, staffing was the biggest challenge of the summer.  It would have been wonderful to recruit a team in New York before the season started, to train them properly, but there just wasn't time. We had to find the whole team out here, when we arrived in June.  Surprisingly, we found an amazing group of kids, who had never worked in hotels before, but were smart, great looking, and inherently hospitable.  They had fun and unique personalities and bled hospitality.  I'm so proud of the team here.  You can teach people how to clean rooms and check people in, but if your staff isn’t inherently friendly, it’s just not going to work. 
The weather also was a huge challenge to contend with. Early in the season we had bad luck with rain on the weekends.  Then, in August we lost a big weekend due to our unwanted guest, Hurricane Irene. Aside from washing out a whole weekend of revenue, the restaurant took a big hit during Irene that pushed up the end of the season a few days.

[gt] Breaking down the hotel today is bittersweet.  It’s sad, I feel like just yesterday it was June and we had the whole summer ahead of us.  Together with James Woods, and Nobu, we accomplished a lot under difficult conditions. But the summer is fleeting and now the leaves are falling outside and it’s starting to get cold.  Riding the crest of a gigantic wave, every week it would pick you up and crash you down and you didn’t have time to catch your breath and next thing you know, it’s September. 

I learned a lot from working with the Capri's great owners, Steven Kamali, Jackie Mansfield, and David Edelstein; The first season at Capri was a wonderful experience, we created something special that is going to last for a long time. 

Sunday, September 11, 2011

A Tale of American Resilience, Homegrown in the Hamptons

Following the landfall of Hurricane Irene, Labor Day weekend was looking bleak for Hamptonites.  Power was lost at Trata, Robert’s and Nobu had a broken water main to contend with.  LIPA owned-up to 500,000 Long Islanders without power.  The waterlogged arborous Hamptons was left with four days to dry out, repair and get back on the grid for the final holiday weekend of the summer. 



With inspiring resilience, proprietors and staff of these glamorous Hamptons establishments got to work.  Parking attendants hauled out a 2-foot diameter tree that had crashed down on the driveway of Dune/Axe Lounge.  Trata’s resourceful owner obtained a generator the size of a small house, to power his party. 

One of their staff even flew back from college to work for one last weekend of the summer! 

Nobu fixed their broken water main and reopened--Richie Notar would not let his party die!




The Palm, in East Hampton, never lost power and guests continued pouring in, dodging the pouring rain drops. 









South Pointe booked one of the hottest DJs in the World:

Dune/Axe Lounge echoed this jet-setter DJ booking by having LEE KALT spin at their exclusive club, which was remarkably spared by the storm. 



Sir Ivan even hosted the Crown Prince of India, Manvendra Singh Gohil, at The Castle, as Irene slammed the shores of Southampton!


Witnessing the Hamptons pull together and ensure a warm holiday weekend, days after their biggest storm in 20 years, is truly a lesson in American Resilience. 




Wednesday, August 31, 2011

Celebrity Photos!

While spyehampton has avoided being a mere celebrity-spy blog, we cannot deny demand.  To begin closing out the summer, here are some snapshots, courtesy of a friend and consummate professional.  Thank you!

(Included are Kelly Rutherford, Beth Ostrovsky, Katie Lee, and Alec Baldwin)

Beth Ostrovsky and Katie Lee

Polo:

Kelly Rutherford and children




At a screening for L'Amour Fou, a film chronicling the life of Yves Saint Laurent:
 
Hilaria Thomas and Alec Baldwin
  


Katie Lee



Animal Wildlife Rescue


Thursday, August 18, 2011

An interview with LEE KALT

"One night, I’m over Erick Morillo’s house for a party, the music stopped playing and I thought, this is the perfect time for me to play “Special K.”  The security threw me out for touching the sound system and trying to play the song, someone tossed the CD in the garbage, but a guest who was there found it; Erick listened to it and signed me the next day...-- Lee Kalt

                                               *             *             *

spyehampton arrives at Lee Kalt’s lavish Larchmont studio, on the edge of the Long Island Sound, during a warm summer evening.  Overlooking the Gold Coast; Manhattan glistens as a distant gem on the horizon.  An impromptu invite from Lee’s publicist, Malinda Carlton, has landed us here.  Entering the lair of the most influential Hamptons DJ of the last decade, we first notice the sterility of his studio and the seriousness of his demeanor. 

After our introduction, he spins around in his chair and revs up some beats on his system—“I’m working on something for True Blood right now, give me a minute.”  We watch as he nods his head to some tune that we are probably the first to hear.  With the fervor of a laboratory technician, Lee toils for a few more moments as we gaze on, baffled by the sea of sliders, loops, meters and screens.  Whatever this track will be called, it sounds damn good.  This is the main nerve—the point of origination for songs that are piped through the veins of NYC venues like Chelsea Room, Webster Hall, Affaire, Le Souk, CAIN* and Pink Elephant*.  In the Hamptons, Lee’s seamless and sexy sets emanate from Georgica, 75Main, Dune/Axe Lounge, Sir Ivan’s Castle and Lily Pond** — formulas prepared for the crowd of market makers, trend-setters and jet-setters.  Overseas, it’s Ibiza, Dubai, Europe and South America, where partiers get their dose of what Lee cooks up in his lab. 

As the music fades down, Lee relaxes, offers us a drink and we start to chat:
[sh]  Where did you grow up?
[LK]  I grew up in Stockbridge, Massachusetts, in the Berkshires.  It’s where Norman Rockwell was from and the Boston Symphony Orchestra plays at Tanglewood.  I was involved in a lot of musical theatre in high school.  I was also part of writing and producing a Musical that showed off-Broadway, before graduating high school.   I was also a chef before becoming a DJ.
[sh]  When and where did you begin DJing? 
[LK]  I started in high school, at high school dances.  It was as simple as playing two different mix tapes on a boom-box, that early.  Making mix tapes of The Beastie Boys, Disco, everything—in high school I was always the one who was in charge of the school dance, doing that whole thing.  In 2000, I started pro DJ’ing.  
[sh]  I once read that you were inspired to become a DJ during a vacation in Ibiza—tell me about that. 
Photo by Rick Dean
[LK]  That was my first trip to Ibiza.  I saw Danny Tenaglia play at the closing of Space.  It was one of those magical moments and I was like, I’m doing this. 

[sh]  When “Special K” wound up on Radio One’s Essential Mix, did you know that you had gone from being a successful DJ, to a successful producer? 
[LK]  Special K” is a simple song.  There are really only seven sounds in it and it was actually the essential tune of the week.  Which means, according to Radio One, it was top 50. 
I sent “Special K” to every label, every manager, every agent and no one wanted to listen to it.  One night, I’m over Erick Morillo’s house for a party, the music stopped playing and I thought, this is the perfect time for me to play “Special K.”  The security threw me out for touching the sound system and trying to play the song, someone tossed the CD in the garbage, but a guest who was there found it; Erick listened to it and signed me the next day. 
[sh]  How did spinning at Le Souk rifle you into the realm of touring the US, Ibiza and Europe?  What really made that venue a special place that you referred to as home?
[LK]  There was a three year period where I was the resident at Le Souk, on Monday nights, which was their biggest night – it got to the point where people like Erick Morillo were showing up there very often.  Out of all big name DJs, Erick Morillo is the guy who has come to my shows the most.  I’m an exclusive artist on Subliminal Records, for the past five years now. 
[sh]  Describe the balancing act between being a live DJ and a Producer of your own programming.
[LK]  It’s like I always try to produce music that is stuff that I want to play.  Stuff that I’m keen to the fact that people want to hear—they want to hear something sexy, funky, happy.  When I play a set, I don’t want to just play my music, but I want to play music that emulates the vibe of the room.

When you DJ you have to look at the entire night as one song.  Using the music to tell a story and take people to a different place.  It’s not special if you play music that is the Top 10 of Beatport.  There’s a lot of producers out there who play too much of their own music.  You’ve got to please the people, then you please yourself. 
[sh]  Where is your favorite venue to spin at—where do you feel the most comfortable and connected?
[LK]  Affaire, in NYC.  It’s got a really great vibe, it’s got a great menu and zero door policy.  They don’t hit people up for a bottle.  It’s a sexy party.  It gives the availability to create a good vibe.  It could change. 
In the Hamptons, Lily Pond was the only time during the past 10 years where the right music and the right people were all at the same venue.  It was obvious because that’s where the $20,000 tables were, that’s where the models were.  I don’t think there has been a club that commands the respect that Lily Pond had during the summers of 2008 and 2009.
[sh]  What do you bring to the Hamptons that is unique to the social and nightlife scene?
[LK]  I don’t believe there’s a DJ that has worked out there who understands the crowd in the Hamptons better than me.  I’ve been a driving force behind every successful house music party that’s been going on there for the past 10 years. 
House Music TV focuses on the “jet-set” lifestyle.  If you travel to an amazing location to see a DJ play, there are a lot of things that go along with that lifestyle.  Hotels, beaches, nightclubs, fashion and food—we appeal to a green/organic edge. 

[sh]  Where can we find you in the Hamptons during the day?
[LK]  I like going to the beach on Fowler Street, in Southampton, because there’s like nobody ever there.   Most people go to Flying Point beach, instead.


[sh]  What was your goal in creating the very unique and dynamic “House Music TV?”
[LK]  I just thought, for us specifically, we have a lot of great stuff going on in interesting locations.  I thought it would be cool to share it with people who don’t go there.  It’s not for the 1,000 people at the club, it’s for the 10,000 people that couldn’t make it there that night.  Most videos of nightlife have club videos with overlaid music.  House Music TV really takes you there, because we don’t overlay music  on-top of club footage.  There’s nothing scripted, we don’t plan anything out.  We just shoot what’s there. 

[sh]  When you’re spinning, what is the most satisfying point in the night for you?
[LK]  When someone says, ‘I was having a terrible day and you made my night.’  There’s always one person that comes up to you that makes some sort of positive connection.  That’s the payoff.  That’s the good feeling.  There’s always a million people who didn’t get to hear a certain song, they didn’t get to hear Lady Gaga.  Any time someone makes a request it’s like, you’re not trusting my judgment.  It would be like if I came to your job and told you what to do—like what the fuck. 
*             *             *
Lee Kalt concludes by mentioning his future endeavors and alluding to some covert operations:

[LK]  This year House Music TV is launching an app, which is going to give you access to all of our podcasts, all our music, all of our videos, for free.  The app is going to be like a promo pool.   There’s people that use apps that won’t necessarily watch our show.  One thing that we’re going to do is take the top 50 names in dance music and consolidate it, put it in one place, that’s going to be the hook for the free app.  The House Music TV app makes you a leader, instead of a follower.  Besides, most people that are just getting into music now, their musical history only goes back to Afrojack, to them, it’s all something new!  Aside from all that, these venues are going to be getting up-to-the-minute reporting from the inside.
The show [House Music TV] is viewed on average 20,000 times per day.  We’re the global leader in DJ Lifestyle videos online.  Everything you do is a representation of yourself…

*CAIN and Pink Elephant are now both closed and regarded as two of the most exclusive and distinctive venues in Manhattan nightlife history.
** Lily Pond is now the very popular SL East.


Please check out:


Drew Pancila, Jr. -- Editor-in-Chief of spyehampton, extends a heartfelt thank you to Malinda Carlton, of House Music TV and to Theresa Stebe, of Theresa Stebe Photography. 

Tuesday, August 16, 2011

Beachhouse brings in the 80's!

One of East Hampton's most diverse restaurants is now twisting a new theme into their social cocktails:


Photos of 80's-clad Hamptonites to follow on spyehampton!

Wednesday, August 10, 2011

An interview with dj toy

On a Friday night, as the sun sets over the Shinnecock Canal, dj toy hitches a ride from the Bentley Hotel to go to work at the Capri.  A city dweller, with a midtown career during the week, toy transitions to Hamptons-mode on the weekend.  Tonight she is the only DJ on the roster at the Capri’s Bathing Club, which is anchored by Nobu’s outdoor bar.  Here her audience consists of spry financiers, media moguls, locals, and A-Listers. 



Last Saturday afternoon, spyehampton sat down with dj toy to learn how this lively young lady from San Fran wound up making waves at a bastion of Southampton nightlife. 



[spyehampton] When and where did you first begin DJing?
[toy]  I was 18 and attended the Scratch DJ Academy (NY, LA, Miami), they really give you all the tools to succeed and the rest is up to you.  I still DJ open-mic nights with kids who were in my Scratch Academy classes.  It’s like a little DJ collective.  I also majored in Music Business at NYU. 

[sh] Who are your greatest influences—musical, artistic, creative—and why?
[toy]  I played piano from a young age; music is something I’ve grown up with.  Piano is a melodic and rhythmic instrument, but most classical instruction focuses much more on tonality. I was first attracted to DJ'ing because of scratching and turntablism, which allowed me to explore my interests in rhythm.  
DJ Q-Bert, one of the most famous turntablists, is a Filipino guy from San Fran and was a major influence on me—There are not a lot of Asian role models/celebrities.  Being a dorky high school Asian kid, I wanted to do something kind of cool.  I mean, I went to the same school as Steve Jobs’ kid; I’m a fucking nerd dude!

[sh] What do you bring to the Hamptons that is unique to the live DJ scene?
[toy]  I play to the fact that everyone is chilling and on vacation.  There’s a wide variety of people here, age groups, and origins, but to kick back and relax unifies them all. So it’s more about the vibe than the party rocking.  I spin to get people to look at the drink in their hand and say, I’m having a great time, I want to stay and I want another one. 
  
[sh] Where can you be found in the Hamptons and NYC?
[toy]  Gerber bars.  W – Hotels.  Lex Bar, Whiskey Park, Stonerose, “crazy rooftop parties.”  I DJ an East Village party, overlooking Tompkins Square Park.  Last time I was there the bums in the park were like, I hear Michael Jackson and it’s coming from the sky?! 
Also, Odyssea – Williamsburg.  I’m moving to Williamsburg in a week.

[sh] What do you have to say to female DJs, pushing for success in a (traditionally) male-dominated industry?
[toy] When I was coming up with names when I first started DJ’ing, a friend suggested, “DJ Just one of the guys” because that’s the way my friends view me.
There’s a thing that’s both a problem and a good thing about being a female DJ:  The image and the expectation; there’s so many big-tittie robot DJs with zero skill and that’s horrible because it makes people expect less of female DJs.  ‘A-cup’ over here is not trying to do that!  However, low expectations make it easier for a female that’s got the skill, smarts and ability to make a lasting impression.  It all depends on how you play the game.  I’m about the vibe and the music, the appearance and the persona are part of it, but are secondary to the music.  Sometimes that means walking a funny line between wearing a sexy outfit, vs. looking like a tramp.  Being a female DJ, you have to step more carefully.

[sh] What do you love about the Hamptons?
[toy]  Being from California, it’s the laid back vibe.  Working a 9-5 in midtown all fuckin’ week, living downtown, I can’t ask for more; talk about a paid vacation!  Everyone is trying to kick back and get sun.  I got the 5 days of work and the 2 days of chill. 

[sh]  What (or where) do you envision as being the pinnacle of your career? 
[toy]  Right now I get the feeling that I’m at the start of what I want to do.  I’m a big picture thinker who is always looking for something bigger.  I think that it's a disservice to yourself as a DJ to have such concrete benchmarks—I think so much of this business is chance, not necessarily luck—being in the right place at the right time.   It’s not like a normal career where you can expect a raise at a certain point or you work a certain program.  You never know who is listening.  Any time you’re putting your name on anything, you gotta fucking bring it. 

[sh]  Disco changed lounge music forever.  Is there a genre right now that will have a similar influence on lounge/house music?
[toy]  I think every new genre of music had to come from somewhere.  Techno and House came from looping Disco.  Dubstep came from that electronic music that came from Electro.  As far as genres go right now:  One thing that’s really cool about being a DJ at this time is that there’s so much music out there—with things being digital, I can hear the latest from all around.   I think the effect that that has had on genres is that the average listener is more accepting and receptive to things that don’t fit into a genre.
Right now what people consider “hip hop” I don’t like.  There’s good shit going on with pop music.  You’ll listen to a track that was produced by Timbaland, but it sounds like the beats were made by the grime rappers in the UK.  There’s influence in the African rhythms.  All that shit coming together in what is considered a mainstream genre of music is awesome.
The consumer is more intelligent, so the music is more intelligent, or maybe it’s the other way around. 

[sh] When you’re spinning, what is the most satisfying moment in the night for you?
[toy]  A lot of DJs like compliments, but I only take my compliments in the form of dancing.  There’s really nothing like getting a crowd to just lose their shit.  When they’re completely surrendered to the forces of what they’re listening to, everyone is in the moment having a good time, it’s just raw energy and spirit, being able to take people to a place like that—I don’t know, that’s kinda the point.  If nightlife is about being social and meeting people, there’s nothing better than when people are still talking about the party they went to together weeks later.